当代书法,Contemporary calligraphy
1)Contemporary calligraphy当代书法
1.Contemporary calligraphy has completely escaped the limitation of pragmatism and truly become a pure art.当代书法彻底摆脱了实用性制约,书法真正变成了纯粹的艺术。
2.The paper makes a further discussion on the effects that human being s thought structure brings to contemporary calligraphy creation Meanwhile, the problems existing in contemporary calligraphy creation and the main developing advantages are also analyzed to offer reference to people who work for the same cause while doing creation.本文就思维结构对当代书法创作的影响进行深入探讨,同时分析了当代书法创作主流和存在的问题,认为书家应有明确的主体意识和相应的思维结构。
英文短句/例句
1.Scripts on Wooden and Bamboo Slips and Silk, the Study of Calligraphic History, and Modern Calligraphic Creation;简牍帛书与书法史研究及当代书法创作
2.Discuss The Characteristics and Influences of Network Spread of Modern Calligraphy Briefly论当代书法的网络传播特点及其影响
3.Henan Calligraphy in Modern Calligraphy Revival Movement--Henan Calligraphy in the Past 30 Years since China"s Reform and Opening-up当代书法复兴运动中的河南书坛——改革开放30年的河南书法
4.Perspective on the Methodology of Research on the History of Modern Calligraphy Schools in View of Research on the Academic School of Calligraphy;从学院派书法研究引向对当代书法流派史研究方法的思考
5.Exploring New Horizon of Calligraphy and Entering New State of Art-On the Innovation of Contemporary Calligraphy;开拓书法新时空 步入艺术新境界——论当代书法的创新之路
6.Effective Means of Enriching the Experience of Calligraphers’ Aesthetic Taste of Our Time;论当代书法家丰富审美经验的有效途径
7.It also points out , to acquire the essence of calligraph, calligraphists should spurn the utilitarianism, emphasize the inner self-experience.指出当代书法家必须摒弃创作功利意识,着重自我内在体验的感悟,才能获取书法艺术真谛。
8.A Legal Analysis on Contemporary Pseudographs and the Countermeasures for Libraries;当代“伪书”的法律分析及图书馆的对策
9.THE ARTISTIC EXPRESSION MECHANISM OF THE MODERNISM OF CONTEMPORARY CHINESE CALLIGRAPHY;当代中国书法现代性的艺术表达机制
10.The Study of Non-Calligraphic Factor in the Prevailing Calligraphic Style;当代“流行书风”现象下的非书法因素研究
11.The Significance to Contemporary Chinese Painting Drew from the Relationship between Calligraphy and Painting;浅论古代书画关系暨书法对当代中国画的实践意义
12.Qi Gong, Manchu, is the contemporary celebrated calligrapher who was born in Beijing in1912.启功，当代著名书法家，满族，一九一二年生于北京。
13.Criticize of the Contemporary Public Culture and Developing the Chinese Calligraphy Art;当代大众文化批判与发展中国书法艺术
14.On the Relation between College Calligraphic Art Teaching and Quality-oriented Education;论当代大学书法艺术教育与素质教育的关系
15.Calligraphy as a Resource: A New Orientation of Chinese Modern Arts;书法作为资源:中国当代艺术的一个新方向
16.Preservation and Development--On "Chinese Characters and Calligraphy" in Contemporary China and Korea维护与发展——当代中韩“汉字与书法”观点解析
17.A Library Management Method based on"S":Concept and Application基于“S”的当代图书馆管理法:概念与应用
18.His calligraphy,especially t he cursive hand,is quite unique and has a great impact in China.他的书法,尤其是草书在当代中国独树一帜,影响巨大。
相关短句/例句
contemporary calligraphy in the form of the ancient script on tortoise shells or animal bones当代甲骨文书法
3)contemporary calligraphy art当代书法艺术
4)modern calligraphy creation当代书法创作
1.The combination of forms of printed character is an important express form in the creation of calligraphy, getting to know it is really helpful to themodern calligraphy creation.字体组合是书法创作中的一个重要表现形式，认识字体组合对于当代书法创作是洵有裨益的。
5)modern calligraphy education当代书法教育
6)Contemporary books当代书籍
1.Contemporary books are blended with new techniques and cultural features, taking on many original ideas and different forms.无论是从书籍的历史沿革,看书籍设计的交替更迭,还是从当今信息化、高科技、快节奏的生活中,看人们多元化的阅读方式,当代书籍设计都面临着巨大挑战。
延伸阅读
阿拉伯书法阿拉伯书法Arabiancalligraphy伊斯兰时代的阿拉伯文字书写艺术。起源于手抄本的《古兰经》。阿拉伯书法具有悠久的历史，而且字体繁多。一般认为，11世纪是划分阿拉伯书法时期的界线，之前为古体时期，之后为新体时期。古体时期的阿拉伯书法以库菲体出现最早，其书法笔画纵向，线条直而棱角分明，有一定装饰味。9～10世纪又一分为二，出现了叶状库菲体和花状库菲体，皆因笔画末端似棕叶状和饰有花头纹而得名。另外，还有一种繁琐而规范的手写体及印刷体，以结体工整圆润，笔画舒展流畅为其特征，有纳斯黑体和斯尔希体等不同字体。11世纪之后，在古体书法继续流行的同时，又相继出现了4种新的字体，即：①穆哈卡克体，风格清秀，笔画纤瘦；②拉伊哈尼体，风格活泼奔放，笔画末端呈鼠尾状；③鲁库阿体，用于书信的书写及手抄本通俗读物；④塔乌奇体，风格庄重大方。另外，还有一些字体流行，如：马格里比体，以活泼潇洒，节奏分明著称；纳斯塔里克体，笔画更加纤细流畅；希卡斯塔体，笔画比较繁琐；加里体，用于公文书写，以及专门用于苏丹签名，形如装饰绘画的图画文字的花字体。阿拉伯书法非常重视文字本身的形式美，因此其书法讲究节奏感、装饰性和纹样。由于是用硬笔在羊皮纸上自右而左横向书写，所以笔画简洁流畅，具有一种曲线的效果。刻有阿拉伯书法的陶瓷圣龛中的墓碑
