诗歌翻译,poetry translation
1)poetry translation诗歌翻译
1.On Fuzziness in Poetry Translation;浅议诗歌翻译中的模糊现象——兼谈诗歌译者的可视性
2.On the importance of image transferring inpoetry translation;论意象的传递在诗歌翻译中的重要性
3.Further study into foreignization as thepoetry translation approach——Analysis on the Four English Versions of Shui Diao Ge Tou;诗歌翻译异化法的探微——宋词《水调歌头》四种英译本的比较研究
英文短句/例句
1.Translating Verse as Verse, Poets Translating Poetry--A Study of Wang Zuoliang s Verse Translation;以诗译诗 诗人译诗——王佐良诗歌翻译述评
2.Translation of Poems Without Addition and Reduction--A Letter on Poem Translation;不增添不削减的诗歌翻译——关于诗歌翻译的通信
3.The Aesthetic Transference of Image in Poetry--With Analysis on Versions of Tang Poems;诗歌意象美的传递——以唐诗英译为例看诗歌翻译
4.Alienizing Translation: Xu Zhimo"s Poetry Translation;陌生化翻译：徐志摩诗歌翻译艺术研究
5.Aesthetics Translation Theories in the Ancient Chinese Poetry Translation;中国古典诗歌翻译中的美学翻译理论
6.Strategies for Poetry Translation--Analysis of the English versions of Fishing in the Snow;从《江雪》的英译诗谈诗歌翻译的策略
7.On Poetry Translation;从“题石头记”一诗的英译看诗歌翻译
8.Poem Translation: From the Perspective of C-E Pun-Translation Strategies;从中诗双关语的英译策略看诗歌翻译
9.Untranslatability in Chinese Classical Poems Translation;从中国古诗词英译看诗歌翻译的不可译成分
10.On the Limitations of Translator s Subjectivity Regarding Poetic Translation;论诗歌翻译中译者主体性的限制因素
11.The Embellishment of Poem Translation;诗歌翻译美化之艺术——《春晓》两译文比较
12.On the Main Factors Limiting Translator s Reproduction in Poetry Translation;论诗歌翻译中局限译者再创造的因素
13.Disadvantages of Hermeneutic Approach in C-E Poetry Translation;阐释学译论对于汉英诗歌翻译的局限
14.A Three-dimensional View of Poetic Translation--Critique of Lake Translated by Li Hengji;诗歌翻译的三维审视——李恒基译《湖》评析
15.Appreciating the translations of Poetry;诗歌翻译赏析——读《枫桥夜泊》的两首译文
16.The Translator"s Cultural Identity and Hermeneutics in Poetry Translation译者文化身份和诗歌翻译中的阐释学
17.A Study of the Translator"s Subjectivity in Guo Moruo"s Poetry Translation郭沫若诗歌翻译中的译者主体性研究
18.Translator"s Subjectivity in Xu Yuanchong"s Peotry Translation从许渊冲诗歌翻译看译者主体性研究
相关短句/例句
poem translation诗歌翻译
1.Notion of "Transformation" inpoem translation ——Commentary on WANG Zuo-liang s translation of A Red, Red Rose;诗歌翻译与“化境”论——兼评王佐良的A Red,Red Rose英诗汉译
2.The reproduction of images is the obstacle in Chinese ancientpoem translation into English.诗歌翻译的最大障碍在于意象的传达。
3)poetic translation诗歌翻译
1.This paper aims at probing into the effect the translators ideologies cast onpoetic translation.本文将通过研究"爱情"的徐志摩译本探讨译者意识形态对诗歌翻译的影响,以证明意识形态对诗歌翻译不可低估的操控作用。
2.A deep-rooted conventional idea holds thatpoetic translation is dominantly guided by a literary approach.传统上,人们倾向于认为诗歌翻译涉及的只是文艺美学的范畴,其实这种观点是一种偏见。
3.Therefore,inpoetic translation it is.诗歌翻译中,要充分考虑原文的意境,完美再现诗歌的意境。
4)translation of poetry诗歌翻译
1.The particularity of poetry language makes different people have different views on thetranslation of poetry.诗歌语言的特殊性使诗歌翻译领域出现了仁者见仁、智者见智的局面,许渊冲、江枫二人之间的论争就是这方面的代表。
2.What should be the content of thetranslation of poetry? Since poetry is the unity of form and meaning, literariness must of necessity be taken into consideration in thetranslation of poetry.所以,诗歌翻译不仅仅是意义的阐释和重建,而且也是形式的移植,但绝不是拘泥于原文形式。
3.The text type theory, if applied to thetranslation of poetry, can serve as good reference in solving many problema.将文本类型理论应用于中英诗歌翻译 ,对解决诗歌翻译中许多疑难问题 ,如诗歌翻译的直译与意译 (形似和神似 )等 ,都有较好的借鉴意义。
5)the translation of poetry诗歌翻译
1.The paper mainly examines the definition and the classification of the Theory of Intertextuality and the relationship between intertextuality andthe translation of poetry,explores the application of intertextuality in poetry s rhythm and imagery.本文探讨了互文性理论的概念、分类及其与诗歌翻译的关系,探讨了互文性在诗歌音韵和意象传递中的作用。
6)translated poetry翻译诗歌
延伸阅读
诗歌诗歌poetry文学体裁之一。一般认为，诗歌借助于有节奏感和音乐美的高度凝练的语言，创造出“言有尽而意无穷”的审美意境和形象，表现诗人的情致。中国古典文论主张“诗言志”，“诗缘情”，“诗者，根情、苗言、华声、实义”。无论是中国还是西方，都特别看重诗歌抒发诗人主观情志的特点，即使是叙事诗，其抒情性也相当明显。诗人的主观情志自然导源于外在现实，但外在现实必须内化为诗人的心理现实即变成诗人情志的一部分才能发而为诗。在形式上，与散文、小说、戏剧文学相比，诗歌更富于节奏感和音乐美。无论中国诗歌还是西洋诗歌，通常都是通过语音的有秩序的排列而形成有规律的抑扬顿挫；并且大部分诗歌要押韵，即使中国现代自由诗也注意押韵，只是押韵方式比较自由。此外，相对而言，诗歌从内容到形式都更讲究凝练；语言含蓄而富于跳跃性。诗歌是各种文学样式中出现最早的一种体裁。在长期的历史发展中，形成不同种类，如抒情诗，叙事诗，格律诗，自由诗，散文诗，十四行诗，民歌等等。
