西画,Western painting
1)Western painting西画
1.The Introduction of theWestern painting s realistically painting style represented by the Qsiqakef s teaching system has irreversibly conflicted with the Chinese painting s traditional ink and wash,which have caused caused the plural transformation of the Chinese painting.以契斯恰柯夫素描教学体系为代表的西画写实手法的引入,与中国画的传统水墨的矛盾,导致了中国画的多元变革。
2)Xijiang gallery西江画廊
1.This report is aim to introduce the design ideas of theXijiang gallery in Foshan city Gaoming region, Base on the analysis of this water landscape project, the conclusion can be obtain, which will help designers provide more suitable and comfortable water landscape projects for the local resident, and those projects can be the milestone of city water landscape system in the future.从设计理念的角度介绍佛山市高明区西江画廊的设计构思,引申出对营造城市滨水景观的思考,为今后更好地从人性角度出发,创造融入城市景观系统的滨水景观提供借鉴。
3)Drawing style of western Region西域画风
4)western painting西方绘画
1.The two are continuously blending,influencing each other in the world cultural communication,but there has always been a big difference in "dot" between the Chinese painting andwestern painting because of the regional,cultural and aesthetic differences and the different understandings of th.在绘画发展过程中,中西方绘画逐渐形成了各自独特而又相对稳定的艺术风格,绘画技法也各具特色。
2.This paper analyzes the trait of Chinese and Western painting with aesthetic thought and psychological basis of China and the West.用中西方绘画的美学思想和心理基础来分析中西方绘画的特征,由此可知,中、西方画家对待客观对象及视觉形象的整体特点表现有着本质的不同。
3.Different features in the style of butterfly between the ancient paintings,the civil forms in chinese andwestern paintings have been compared.并与古代绘画,中国民间样式以及西方绘画中的蝴蝶样式进行对比借鉴,梳理在绘画创作中的切实感受,从而尝试找到自己以蝴蝶为题材作画的意义。
英文短句/例句
1.Different Forms of Chinese and Western Paintings中国绘画与西方绘画不同空间的表现
2.Oil painting is an important type in western paintings.油画是西方绘画的重要画种。
3.Explaining the Painting s Abstract and Expression from the Chinese and the Western Paintings;从中西方绘画中解读绘画的抽象性和表现性
4.Sketch and Schemata-an Exploration on the Observation Method of Western Paintings;写生与图式—西方绘画观察方法探幽
5.On the Eastern Complex of Western Painting Masters in the 20th Century;论20世纪西方绘画大师的东方情结
6.Analysis on Thought Origins of the Difference between Chinese and Western Painting Forms试析中西方绘画形式异同之思想根源
7.On Similarity and Difference between the western idea of Painting Color and the Decoration of Chinese Painting Color;西方绘画色彩理念与中国画色彩装饰性的同异
8.On Development of Traditional Realistic Painting in View of Contemporary Western Representational Painting;从当代西方具象绘画看传统写实绘画的发展
9.Transmission and Versatility of Traditional Painting Materials in a Modern Painting;西方传统绘画材料在现代绘画中的传承与变通
10.The Conjunction of the Chinese Classical Drawing and the Vicinity Modern Drawingin the West;试论中国传统绘画与西方近现代绘画的契合
11.A Comparison Between Traditional Painting and Western Modern-School Painting;西方传统绘画与现代派绘画的比较研究
12.The Art s Idea of the Oil Painting Cognizance--The Cimparison of the Oil Painting Cognizance between China and West Country;绘画认知方式上的艺术理念——谈中西油画风格及绘画认知方式变迁
13.The Comparison in Painting Languages between Chinese Landscape Painting and Western Landscape Oil Painting;中国山水画与西方风景油画绘画语言之比较
14.paintings of Shang and Western Zhou Dynasties andSpring and Autumn Period商-西周-春秋绘画
15.An Exploration into the Spatial Formal Language in Western Contemporary Painting;对西方现代绘画空间形式语言的思考
16.The"Art True"in the Western Modern Parties Painting Work;西方现代派绘画作品中的"艺术真实
17.The Musical Idiosyncrasy of the Major Painting Art School in the Modern West西方现代主要流派绘画艺术的“音乐性”
18.A Study of Imitation Theory on the Characteristics of Spatial Representation in Western Traditional Painting西方传统绘画空间表现特点之模仿论
相关短句/例句
Xijiang gallery西江画廊
1.This report is aim to introduce the design ideas of theXijiang gallery in Foshan city Gaoming region, Base on the analysis of this water landscape project, the conclusion can be obtain, which will help designers provide more suitable and comfortable water landscape projects for the local resident, and those projects can be the milestone of city water landscape system in the future.从设计理念的角度介绍佛山市高明区西江画廊的设计构思,引申出对营造城市滨水景观的思考,为今后更好地从人性角度出发,创造融入城市景观系统的滨水景观提供借鉴。
3)Drawing style of western Region西域画风
4)western painting西方绘画
1.The two are continuously blending,influencing each other in the world cultural communication,but there has always been a big difference in "dot" between the Chinese painting andwestern painting because of the regional,cultural and aesthetic differences and the different understandings of th.在绘画发展过程中,中西方绘画逐渐形成了各自独特而又相对稳定的艺术风格,绘画技法也各具特色。
2.This paper analyzes the trait of Chinese and Western painting with aesthetic thought and psychological basis of China and the West.用中西方绘画的美学思想和心理基础来分析中西方绘画的特征,由此可知,中、西方画家对待客观对象及视觉形象的整体特点表现有着本质的不同。
3.Different features in the style of butterfly between the ancient paintings,the civil forms in chinese andwestern paintings have been compared.并与古代绘画,中国民间样式以及西方绘画中的蝴蝶样式进行对比借鉴,梳理在绘画创作中的切实感受,从而尝试找到自己以蝴蝶为题材作画的意义。
5)western oil painting西方油画
6)Chinese and western painting中西绘画
1.Chen Shizeng and Fu Baoshi share similar creation theory and idea on their attitude toChinese and western paintings, or we can say that Chen influenced Fuquite a lot.陈师曾与傅抱石在中西绘画的态度上无论从创作理路还是观念抉择都有相近的路线,或者说陈师曾在中西绘画思想上对傅抱石有相当程度的影响。
延伸阅读
曹云西画山水图【诗文】：前年常见云西画，今年始识云西翁。文章惊世怈所重，笔力到老老更工。流水涓涓石凿凿，一啸长才风雨作。岂云笔底有江山？自是胸中蕴丘壑。昨日亭东白云起，怅望吴松满江水。安得先生乘兴来？写我江南雪千里。【注释】：【出处】：
