晚清理学,Neo-Confucianism of Late-Qing Dynasty
1)Neo-Confucianism of Late-Qing Dynasty晚清理学
2)the geographers in the later Qing Dynasty晚清地理学家
3)Confucian classics in late Qing Dynasty晚清经学
4)late Qing Dynasty historical science晚清史学
5)Western knowledge in late Qing晚清西学
6)ci-poetics of late Qing Dynasty晚清词学
英文短句/例句
1.Ci Poets in the Late Qing Dynasty:Their Ci Theory and Their Theory of Criticism;论晚清词学家的词学理论及其批评实践
2.Literary Trends in the Late Qing Dynasty andTransformation of Modern Lexical Studies;晚清文学思潮与近现代词学批评的转型
3.New Coinage of Legal Vocabulary in Late Qing Dynasty and Impact on Relation with Japan;晚清法学新词的创制及其与日本的关系
4.Mengchuang ci Changed the Style: the significance of the canonization of Wu Wen-ying s ci theory by the four masters in the late Qing Dynasty;以梦窗词转移一代风会——晚清四大家推尊吴文英的词学主张及意义
5.The Scholarly Genealogy of Literature in Modern China--From "Letter" to "Fine Arts" and to "Literature";晚清民初“文学”学科的学术谱系——从“词章”到“美术”再到“文学”
6.The Concept Interpretation of Shanghai Lithograph Lyrics to Dagu in the Republic of China in Late Qing Dynasty;晚清民国“上海石印鼓词”概念阐释
7.The coexistence and interaction of the Changzhou School and Zhexi School of poetry in late Qing Dynasty;论晚清词坛“常”、“浙”两派的共存与交融
8.Borrowing Words from Japanese in the Late Qing Dynasty and Early Period of the Republic of China and Its Apocalypse晚清民初日语词汇进入汉语及其启示
9."Word-Annotation" in the Late Qing Dynasty晚清“词语-注释”:汉语欧化与知识建构
10.Study on the Famous Ci Poem of Tang and Song dynasty in the Ci Anthologies Compiled in the Late Qing and Republic of China略论晚清民国词选中唐宋“名家词”的形成
11.The Research of New Culture in Hubei during the Later Qing Dynasty 1889-1911;晚清湖北新学研究（1889—1911）
12.Reflections on Li Qing-zhao s Ci Lun;从诗词关系看李清照《词论》的词学意义
mon Emotion Tendency and Aesthetic Traits of Four Great Masters in Qing Dynastry;晚清四大家词共通的情感倾向及其审美特征
14.Forewords to Periodicals of Modern Novels and New Change in Concept;晚清民初小说期刊发刊词与小说观念的新变
15.On the Atmosphere of Night in Li Qingzhao s Ci;永夜恹恹欢意少——浅论李清照词的夜晚氛围
16.Women Writers Rhymed Novels Under the Late Qing Dynasty and “Rejuvenating Female Rights”;闺中无静女——晚清女作家弹词与“振兴女权”
17.Emergence and Significance of the Female Storytellers" Career Since Late Qing Dynasty晚清以来“女弹词”职业生涯的呈现及其意义
18.On the Style-breaking,Style-following and the Respect of the Literary Genre of Ci-poetry in the Ci-poetry Study in the Qing Dynasty;清代词学中的破体、辨体与推尊词体
相关短句/例句
the geographers in the later Qing Dynasty晚清地理学家
3)Confucian classics in late Qing Dynasty晚清经学
4)late Qing Dynasty historical science晚清史学
5)Western knowledge in late Qing晚清西学
6)ci-poetics of late Qing Dynasty晚清词学
延伸阅读
《晚清四十家诗钞》近代诗总集。编者吴闿生。《诗钞》收吴汝纶以下41家，录诗 600余首，其中包括日本友人的诗作，分成3 卷，1924年由北平文学社刊行。编录原则"以师友源澜为主"（自序），如编者认为能得吴汝纶诗传的范当世，即钞其诗100多首,近全书六分之一。不属桐城师承关系而入选的当代名流，也都是作诗不背宗尚李白、杜甫、苏轼、黄庭坚之旨者。编者又"精加评点，分别涂径"（曾克端序），实为一种流派的选本，当时诗风新旧交替，吴闿生认为"异说纷腾，李杜苏黄之学将绝于天下"，想编此集以维持桐城之绪于不坠。故可从中窥见一派诗的面目。
