中国当代雕塑,Chinese contemporary sculpture
1)Chinese contemporary sculpture中国当代雕塑
1.First, the thinking ways ofChinese contemporary sculpture are being influcnced gradually by the Western "concept", "ideological trend"and"doctrine"which are against the art law; Secondly, the expansion of "self" worshi.首先 ,西方远离艺术规律的“观念”、“思潮”、“主义”逐渐侵蚀着中国当代雕塑的思维方式 ;其次 ,“自我”膜拜意识的膨胀加速了这种负面作用的滋生蔓延 ;最后是市场经济利益的诱惑使雕塑艺术沦落为商品而成为现代雕塑垃
2.In the view of historical materialism, the paper investigated the returning phenomenon of the traditional culture in the most basic and representativeChinese contemporary sculpture works by the way of studying documents, analyzing works and investigation.论文运用历史唯物主义观点,通过文献研究、作品分析和调查研究等方法,以最基本和最具代表性的中国当代雕塑作品中传统文化回归的现象进行了审视,剖析了从其表象与本质上所显现的特征,并从多个层面多个视角论证了中国当代雕塑作品中传统文化回归的原因,指出在政治、经济的发展下中国雕塑家对传统的认识,与其民族自信心和时代责任感具体的表现。
3.This paper based on ancient Chinese sculpture of color in the historical retrospection, search using the ancient Chinese sculpture colors historical origin and characteristic, combining Chinese society and history, summarized the situation ofChinese contemporary sculpture of the use of color.本文首先通过对色彩在中国古代雕塑的运用的历史追溯,寻找中国古代雕塑色彩运用的历史渊源和特点,结合当今中国社会和历史现状,总结出中国当代雕塑对色彩运用的时代要求。
英文短句/例句
1.Modern Sculpture Art of China in a Consuming-age Background;消费时代背景下的中国当代雕塑艺术
2.On the Development of Chinese Contemporary Sculpture Significance Localization试论中国当代雕塑本土化发展的意义
3.Application of the Traditional Design Concept of Huishan Clay Figurine on Chinese Contemporary Sculpture惠山泥人的传统创作观念在中国当代雕塑中的应用
4.Considerations on the Development of Contemporary Chinese Sculpture重申“中学为体,西学为用”——关于中国当代雕塑发展的思考
5.Chinese Present Age Renowned Sculptor Ye Yushan Sculpture Art Studies中国当代著名雕塑家叶毓山雕塑艺术研究
6.Reflection upon the Culture Condition of Chinese Contemporary City Sculptures;当代中国城市雕塑之文化生态的思考
7.The Developing Feature and the Modern Choice of the Traditional Chinese Sculpture;中国传统雕塑的发展特征及当代选择
8.On the Upward-viewing Characteristic of Chinese Contemporary Memorial Sculptures论中国当代纪念性雕塑的仰视性特征
9.Tool Esthetics Culture--To review the difficult situation of the development of sculpture from modern China to the present age;工具 审美 文化——对中国近现代雕塑到当代雕塑发展困境的反思
10.STUDY ABOUT JINGDEZHEN TRADITIONAL POLYCHROME SCULPTURAL CERAMIC AND CHINESE CONTEMPORARY POLYCHROME SCULPTURAL CERAMIC ART;景德镇传统加彩雕塑瓷与中国当代彩绘陶瓷雕塑艺术的比较研究
11.AESTHETIC STANDARDS IN THE LANGUAGE OF CONTEMPORARY CHINESE SCULPTURE IS TO MOVE TOWARDS UGLY当代中国雕塑形式语言中丑的审美化取向
12.Pondering Over the Sustainable and Healthy Development of the Public Sculpture in Modern China;当代中国公共雕塑的可持续健康发展探索
13.Romanticism in Chinese Ancient Sculpture from the Angle of Sculpture in Han and Tang Dynasties;从汉唐雕塑看中国古代雕塑中的浪漫主义色彩
14.Most of the ancient Chinese sculptures were religious artifacts or tomb engravings.中国古代雕塑，绝大部分都属于宗教雕塑和陵墓雕塑。
15.Analysis of Indian Sculpture s Influence on the China Yuan Dynasty s Sculpture;试析印度雕塑对元代中国雕塑艺术的影响
16.Remould Gloriousness On the Transformation of Chinese Traditional Sculpture to Modern Sculpture重塑辉煌——论传统雕塑的中国现代转型
17.Creative Context of the Chinese Contemporary Urban Sculpture--Start from the Differences of the Traditional Sculpture Between Western and Chinese Cities;当代中国城市雕塑创作语境评述——从中西方城市雕塑传统的差异性谈起
18.they spread them into China, laying the foundation for the development of the art form after the founding of New China.传播西方雕塑艺术知识和技巧，为新中国及当代雕塑事业，作了开拓工作。
相关短句/例句
Chinese contemporary memorial sculptures中国当代纪念性雕塑
1.This article first verifies the contemporary memorial sculptures from the commemorative sculpture\"s shape factor and the psychological factor to see at the characteristics,Next,it is making us get a more explicit understanding of upward-viewing,the typical spatial aesthetic characteristic of Chinese contemporary memorial sculpture and the origin ofChinese contemporary memorial sculptures.本文首先从纪念性雕塑的形态因素和心理因素两个方面来印证中国当代纪念性雕塑中的仰视性特征,其次通过对中国当代纪念性雕塑仰视性特征的表现种类和仰视性特征溯源两方面来进行论证,从而明确了解仰视性这一中国当代纪念性雕塑的典型的空间审美特征。
3)ancient Chinese sculpture中国古代雕塑
1.This paper based onancient Chinese sculpture of color in the historical retrospection, search using theancient Chinese sculpture colors historical origin and characteristic, combining Chinese society and history, summarized the situation of Chinese contemporary sculpture of the use of color.本文首先通过对色彩在中国古代雕塑的运用的历史追溯,寻找中国古代雕塑色彩运用的历史渊源和特点,结合当今中国社会和历史现状,总结出中国当代雕塑对色彩运用的时代要求。
4)Chinese sculpture中国雕塑
5)Contemporary Sculpture Exhibition当代雕塑艺术展
1.The Commonality of ShenzhengContemporary Sculpture Exhibition;浅析深圳当代雕塑艺术展的公共性
6)contemporary sculpture arts当代雕塑艺术
1.This essay expatiates the initial character of“ecology”, makse a discussion about structural relation between contemporary art and“ecology”, indicates the up-to-date significance of research, and makse an analysis on the development of Chinesecontemporary sculpture arts which is basic on“ecology”theory.本文阐述了“生态学”的基本特征,讨论了当代艺术与“生态学”之间的结构关系,明确了对其研究价值的当代意义,并利用“生态学”学理对中国当代雕塑艺术的发展进行了分析。
延伸阅读
《当代中国的档案事业》《当代中国》丛书中的一卷。中国社会科学出版社1987年出版。主编裴桐。杨尚昆作序言。全书分4编、16章、55节和一篇结束语，书末有附录。第一编叙述中国档案工作的历史溯源和从 1949年到 1985年的发展过程。第二编论述档案室建设和文书档案、科学技术档案、专门档案工作。第三编全面、系统地论述各级各类档案馆的设置原则、布局状况、组织管理、业务基础工作、利用服务工作和档案史料编研工作。在第二、三编中, 都用大量、生动的事例，反映档案工作为社会主义建设事业服务所取得的社会、经济效益。第四编论述档案工作的基本原则、管理体制和档案专业教育、科学技术研究、宣传出版、档案学会、国际交往等各项工作。结束语概括30多年中国档案工作的基本经验教训，展望了未来的发展前景。附录有:全国档案事业大事年表(1949～1985)、全国档案工作情况统计图表、省以上综合档案馆和专业档案馆介绍、现行档案工作法规性文件，以及英文目录。该书材料丰富，图文并茂,是一部史书性的科学著作,也是研究中国特色的档案事业的一大成果。
