启蒙主义文论,the Literary Theory of the Enlightenment
1)the Literary Theory of the Enlightenment启蒙主义文论
1.The Analysis and Construction ofthe Literary Theory of the Enlightenment;启蒙主义文论的解析与建构
2)the Enlightenment启蒙主义
1.Lu Xun s Concept ofthe Enlightenment Novel;鲁迅的启蒙主义小说观念
2.In "Crying Out""and in"Loss",especially in "Putting Before The Public",Lu Xun portrayed "On-lookers" who generally appeared as the image of the unnamed mediocre persons from the perspective ofthe Enlightenment indeed.在《呐喊》和《彷徨》中,特别是《示众,》鲁迅确实是从启蒙主义角度来写"看客"的。
3.Sothe Enlightenment has become weaker and weaker.当代启蒙主义思潮从一开始就受到了来自西方现代主义思潮和本土世俗化浪潮的双重挑战。
英文短句/例句
1.On the Change of Lu Xun s Ideas of Enlightenment--Starting with a Discussion on Blessing;论鲁迅启蒙主义观的转变——从《祝福》说起
2.Nirvana phoenix--Review about enlightenism of new period;涅槃的凤凰——新时期的启蒙主义述评
3.Zhao Shuli: the Role-remolding of a Man of Enlightenment;赵树理:一个启蒙主义者的角色改塑
4.The Thought About the Enlightenment :An Important Literary Subject of the War of Resistance Against Aggression;启蒙主义:中国抗战文学的重要话题
5.The Western Enlightenment Trend in the 18th Century Establish Three Types of Modern Literature启蒙主义与现代文学三种类型的发展
6.On the Relations between Liang Qi-ch ao s Thought and Literary Theory and the Enlightenment;梁启超思想暨文论与欧洲启蒙主义的关系
7.The Puzzlement and Solution of Enlightenment--On the three problems of Chinese Enlightenment literature in 20th century;启蒙的困惑与出路——关于20世纪中国启蒙主义文学的三个问题
8.Realism, Romanticism or Enlightenment ?;现实主义、浪漫主义还是启蒙主义——现代性视野中的五四文学
9.ZhaoShuLi and the Practical Transition of Didacticism;论赵树理和启蒙主义理论的实践性转换
10.A Detailed Denial--Critique of Zhang Ai-ling s Works in the Enlightening Principle;细致绵密的否定——张爱玲作品启蒙主义色彩潜论
11.Rescuing others and self-saving --The duel meanings of Lu Xun s enlightenment novels;救他与救己——鲁迅启蒙主义小说思想的二重性
12.Enlightening,ehlightening:the dilemma of the enlightening -- Why am I not an unconventional moralist;启蒙,启蒙:启蒙的两难——我为什么不是一个道德形而上主义者
13.The Irrational Tendency in Enlightenment Written by Wang Guowei;王国维启蒙思想中的非理性主义倾向
14.From Enlightenment to Revolution:the Evolution of Romanticism in Modern China;从启蒙到革命:中国浪漫主义的嬗变
15.The Dialectic of the Enlightenment and Ecofeminist Criticism;《启蒙的辩证法》和生态女性主义批评
16.Socialist Doctrines and EnlightenmentMovement in Modern China;社会主义学说和近代中国的启蒙运动
17.The Rational Enlightenment Spirit in Western Classicism Painting西方古典主义绘画中的理性启蒙精神
18.Liberal Feminism and Its Legal Thought;启蒙与启示:自由主义女性主义及其法律思想述评
相关短句/例句
the Enlightenment启蒙主义
1.Lu Xun s Concept ofthe Enlightenment Novel;鲁迅的启蒙主义小说观念
2.In "Crying Out""and in"Loss",especially in "Putting Before The Public",Lu Xun portrayed "On-lookers" who generally appeared as the image of the unnamed mediocre persons from the perspective ofthe Enlightenment indeed.在《呐喊》和《彷徨》中,特别是《示众,》鲁迅确实是从启蒙主义角度来写"看客"的。
3.Sothe Enlightenment has become weaker and weaker.当代启蒙主义思潮从一开始就受到了来自西方现代主义思潮和本土世俗化浪潮的双重挑战。
3)enlightenment[英][?n"la?tnm?nt][美][?n"la?tn?m?nt]启蒙主义
1.National Literary Complex in the Enlightenment and its revelation;启蒙主义的民族文学情结及其启示
2.Modernity and Chinese Enlightenment Literature;现代性与中国启蒙主义文学思潮
3.In the face of National Crises,enlightenment was the"emergent"task for China and Korea.所以两国产生了以启蒙主义为主导的新文学。
4)didacticism[di"d?ktisiz?m]启蒙主义
1.From the "Fifth Generation" to the "Sixth Generation",Chinese contemporary avant-garde movies come through the change fromdidacticism to post-modernism,which reflects the changing rule of Chinese social culture trend during new era.从"第五代"到"第六代",中国当代先锋电影经历了从启蒙主义到后现代主义的流变,其演进脉络反映了新时期中国社会整体文化思潮的运转逻辑。
2.In the context of enlightened 1980s, the humanistdidacticism presented in the women literature and the efforts of rebuilding subjectivity of women could not meet the inner requests of women s self-development, and the expressions of human subjectivity of neo-didacticism could not naturally agree to the goals of women subjectivity.在20世纪80年代的启蒙语境中,女性文学创作始终不渝遵循的人道启蒙以及重建个人自主性的努力,与女性自身发展的内在要求并不完全一致;新启蒙主义关于“人”的主体性的知识表达与建立女性主体的目标并非天然契合。
3.Summary:An explicit continuation and transition ofdidacticism can be found LuXun to ZhaoShuLi,forkx-ample from the topic"people" to "peasant",from "bad nature" to "question",which are to be discussed in three aspects.从鲁迅到赵树理,启蒙主义有明显的继承也有明显的转换;从“国民”向“农民”,从“劣根性”向“问题”,文章从三个方面讨论这一转换的现实意义。
5)enlightening[英][?n"la?tn][美][?n"la?tn?]启蒙主义
1.This essay holds that, as far as the May-4th period is concerned, the trend ofenlightening thoughts is a consistent, generalized and integralizing trend.本文认为,就“五四”时代而言,“启蒙主义文学思潮”是一个贯穿始终、并在发展过程中起着对多种多样观念进行整合的“总思潮”现象。
6)French Enlightenment Literature法国启蒙主义文学
1.Chinese Cultural Elements in the Eighteenth-CenturyFrench Enlightenment Literature:The Controversy over Chinese Rituals andFrench Enlightenment Literature;18世纪法国启蒙主义文学中的中国思想文化因素——析“中国礼仪之争”对法国启蒙文学的影响
延伸阅读
国学启蒙经典之声律启蒙(三)声律启蒙(3)十二侵眉对目,口对心。锦瑟对瑶琴。晓耕对寒钓,晚笛对秋砧。松郁郁,竹森森。闵损对曾参。秦王亲击缶,虞帝自挥琴。三献卞和尝泣玉,四知杨震固辞金。寂寂秋朝,庭叶因霜摧嫩色;沉沉春夜,砌花随月转清阴。闵损:字子骞。曾参:字子舆。二人均孔子弟子。击缶:见前赵瑟注。挥琴:见前南熏注。泣玉:卞和献玉于楚王,三献而两刖其足,和抱玉而泣。辞金:《韵府》载,杨震为太守,人奉以金,不受。人曰:无人知也。震曰:天知,地知,你知,我知,何谓无人知。前对后,古对今。野兽对山禽。犍牛对牝马,水浅对山深。曾点瑟,戴逵琴。璞玉对浑金。艳红花弄色,浓绿柳敷阴。不雨汤王方剪爪,有风楚子正披襟。书生惜壮岁韶华,寸阴尺璧;游子爱良宵光景,一刻千金。犍牛:阉过的牛。牝马:母马。曾点瑟:《论语.先进》载,孔子问曾点志向,曾停瑟作答,极为孔子赏识。戴逵琴:《晋书.戴逵传》载,戴逵能琴,武陵王召之,戴不就,对使者碎其琴。璞玉:《晋书》载,山涛为人厚重,人拟为璞玉浑金。剪爪:汤时大旱,汤剪爪发祷于桑林,以六事自责,乃雨。披襟:楚襄王游于兰台之宫,有风飒然至者,王披襟当之。寸阴:夏大禹惜寸阴。一刻:宋苏轼《春宵》诗:“春宵一刻值千金,花有清香月有阴。”丝对竹,剑对琴。素志对丹心。千愁对一醉,虎啸对龙吟。子罕玉,不疑金。往古对来今。天寒邹吹律,岁旱傅为霖。渠说子规为帝魄,侬知孔雀是家禽。屈子沉江,处处舟中争系粽;牛郎渡渚,家家台上竞穿针。子罕玉:《左传.襄十五年》载,宋人献玉于子罕,子罕不受,曰:我以不贪为宝。不疑金:《汉书.直不疑传》载,直不疑为郎,其同舍有告归,误持同舍郎金去。金主意不疑,疑即以己金偿之。后告归者来归金,前之亡金者大惭,以此称长者。邹律:《韵略》:“燕有寒谷,黍稷不生。邹衍吹律,暖气乃至,草木皆生。”傅霖:《尚书.说命》载,商王武丁以傅说为相,对其曰:若岁大旱,用汝作霖雨。渠:他。帝魄:见前十三元注。家禽:《佩文韵府》载,杨德祖年九岁,孔君平诣其家,设果有杨梅。孔指之曰:此君家果也。应声答曰:未闻孔雀是夫子家禽。系粽:《荆楚岁时记》载,屈原五月五日沉江,楚人哀其忠,贮米为粽以吊之,相沿至今。穿针:《唐传》载,七夕相传为牛女会。唐宫中此夕作高台,具瓜果,宫女于暗处执针穿之,穿过者遂以为得天孙之巧云。十三覃千对百,两对三。地北对天南。佛堂对仙洞,道院对禅庵。山泼黛,水浮蓝。雪岭对云潭。凤飞方翙翙,虎视已眈眈。窗下书生时讽咏,筵前酒客日耽酣。白草满郊,秋日牧征人之马;绿桑盈亩,春时供农妇之蚕。翙翙:鸟羽飞动之声。《诗经.大雅.卷阿》:“凤凰于飞,翙翙其羽。”眈眈:贪婪而凶狠地注视。《易》:“颠颐吉,虎视眈眈,其欲逐逐,无咎。”将对欲,可对堪。德被对恩覃。权衡对尺度,雪寺对云庵。安邑枣,洞庭柑。不愧对无惭。魏徵能直谏,王衍善清谈。紫梨摘去从山北,丹荔传来自海南。攘鸡非君子所为,但当月一;养狙是山公之智,止用朝三。安邑枣:《史记.货殖传》:“安邑千树枣,燕秦千树栗。”洞庭柑:《广志》:“洞庭以南多产柑。”直谏:《新唐书.魏徵传》载,魏徵事太宗能直谏。清谈:西晋大臣王衍,字夷甫,尝挥尘清谈虚无,遇义理有所不当,随口更改,时称信口雌黄。紫梨:《洞真记》载:涂山有梨大如瓜,紫色,千年一花。丹荔:见前妃子骑注。攘鸡:《孟子.滕文公下》:“孟子曰:‘今有人日攘其邻之鸡者,或告之曰:是非君子之道,曰,请损之,月攘一鸡,以待来年而后已。’”养狙:《庄子.齐物论》载,山公赋蓣,朝三而暮四,众狙皆怒。