江南女性,Women in the South Region of the Yangtze River
1)Women in the South Region of the Yangtze River江南女性
1.Chastity and Loyalty:Description of Chastity-pursuing Death ofWomen in the South Region of the Yangtze River during the Ming-Qing Interregnum by the Adherents of Ming Dynasty节与忠:明遗民对明清之际江南女性殉节的书写
英文短句/例句
1.A Chastity-pursuing Death:An Analysis of the Choice of Women in the South of the Lower Reaches of the Yangtze River between Ming and Qing Dynasty;死节:明清之际江南女性的抉择及其原因分析
2.Research of Clothing Color Matching under Skin-color of Ladies in Jiangnan Area基于江南女性肤色的服装色彩搭配研究
3.Chastity and Loyalty:Description of Chastity-pursuing Death of Women in the South Region of the Yangtze River during the Ming-Qing Interregnum by the Adherents of Ming Dynasty节与忠:明遗民对明清之际江南女性殉节的书写
4.A Study on the Acceptance of "Peony Pavilion" by Boudoir in Ming & Qing Dynasty;明清江南闺阁女性《牡丹亭》接受研究
5.The Effect on Female Ci from Jiangnan Distinguished oF mily at the end of Ning Dynasty;明末江南世族对女性词学发展的影响
6.Brief Remark on the Educated Women in the Period of Ming Dynasty--Taking the women of the area of south of the lower reaches of the Yangzi River as the object investigated;明代知识女性论略——以江南地区知识女性为考察对象
7.Division and Coupling-- Division and Cooperation of Men and Women Workforce in Rural Jiangnan in Modern Time;分工与耦合——近代江南农村男女劳动力的季节性分工与协作
8.The Creation of the Female Group with Emotion and Beauty--Comparative Analysis about the Creation of Women in Inner Chambers from Jiangnan of Ming and Qing Dynasty and the On-Line Creation of Contemporary Women情美并擅的女性群体创作景观——比较分析明清江南闺秀文学与当代女性网络创作
parison of Folk Women s Garment in Minnan, Jiangnan, Wannan Area in Modern Times;近现代闽南、江南、皖南地区民间妇女服饰比较
10.The Needlecraft Tool in the South of Yangzi River--Brief Discussion of Folk Line Plate Pattern;江南女红工具——民间木线板纹样略谈
11.Significance of Piecing--Women’s Folk-custom Garments and Accessories in South of the Yangtze River;拼接的意义——论江南水乡妇女民俗服饰
12.The Study of End of Qing Dynasty Women Jiangnan Traditional Fabric Patterns清末民初江南传统女装面料纹样研究
13.On the Adaptability of Civil House in Southern Shaanxi and Southern Yangtse River;陕南与江南民居建筑环境适应性研究
14.On the Feminine Viewpoints in Balún-Canán;女性的悲剧——论《巴龙·伽南》中的女性观点
15.Construction of Hunan Women s Literature and Chinese Women s Literature--A Cultural Perspective of Hunan Modern Women s Literature;湖南女性文学与中国女性文化建设——现代湖南女性文学的文化透视
16.The Book in Boudoir-Jiangnan Women Cultural Education and Social Lives;闺阁书香—明代江南妇女的文化教育与社会生活
17.The American Sinologist Dorothy Ko" Studies on Chinese Women of the South of the Yangtze at the Transitional Period of Ming and Qing Dynasty论美国汉学家高彦颐的明末清初江南妇女研究
18.The Romantic Novels about Talented Scholars and Beautiful Ladies in Ming and Qing Dynasty and the Female Education in the South of Yangtze River明末清初才子佳人小说与江南女子教育
相关短句/例句
knowledgeable women in Jiangnan area江南士女
3)Women in South China江南妇女
4)Henan women河南女性
5)Young ladies in Jiangsu and Zhejiang areas江浙青年女性
6)women literature in Wujiang吴江女性文学
延伸阅读
江南【诗文】：江南可采莲，莲叶何田田。鱼戏莲叶间，鱼戏莲叶东，鱼戏莲叶西，鱼戏莲叶南，鱼戏莲叶北。【注释】：【注释】：本篇是一首与劳动相结合的情歌。诗歌采用民间情歌常用的比兴、双关手法，以“莲”谐“怜”，象征爱情，以鱼儿戏水于莲叶问来暗喻青年男女在劳动中相互爱恋的欢乐情景。格调清新健康。诗歌的开头三句勾勒出一幅生动的江南景致。后四句以东、西、南、北并列，方位的变化以鱼儿的游动为依据，显得活泼、自然、有趣。句式复沓而略有变化，是《诗经》的传统手法，用在这里，更令人联想到采莲人在湖中泛舟来往、歌声相和相应的情景。诗中没有一字直接写人，但是通过对莲叶和鱼儿的描绘，却如闻其声，如见其人，如临其境，感受到一股勃勃生气，领略到采莲人内心的欢乐。--引自.cn/~caohui/【出处】：
