审美主客体,aesthetic subject and object
1)aesthetic subject and object审美主客体
1.Lu-shih ch’un-ch’iu hold the view that beauty lies in the movement of the universe, in the harmony ofaesthetic subject and object and in the pursuit of one’s ambition.《吕氏春秋》认为事物的美应是在宇宙万物的运动变化之中 ,审美主客体相契相适之中 ,人生追求的理想之中。
英文短句/例句
1.Husserl s Phenomenology and the Problem of the Relation between Aesthetic Subject and Object;胡塞尔现象学与审美主客体关系问题
2.Beauty Is an Inevitable Compound Deformation of the Relationship between Subject and Object;美是审美主客体关系的必然合成变形物
3.The Harmony of Man and Nature -The Relationship between Aesthetic Subject and Object Initiated by A Mountain Village"s Hot Spring Bath Custom心物相融——“山寨温泉浴”与审美主客体之关系
4.Constructing the Bridge of Intermediary --A Reflection on the Relationship between Aesthetic Subject and Aesthetic Object of the Liberal Arts;建构“中介”之桥梁——文艺审美主客体关系思考
5.On Relationship between Aesthetical Subject and Object in Language Teaching;试论语文教学中的审美主客体及其关系
6.Travelling Calls for Aesthetics: Analysis on the Subject and Object of Tourism Aesthetic Activities;旅游呼唤审美——浅析旅游审美活动的主、客体
7.A Dialectic View of the Relationship between Aesthetic Object and Subject in Classical Chinese Poetry Translation;论中国古典诗歌翻译中审美主体与审美客体的辩证关系
8.On the Relationship Between the Aesthetic Subject and the Aesthetic Object in the Creation of Contemporary Poems;论当代诗歌创作中审美主体与客体的关系
9.SUBJECTIVE-OBJECTIVE ADMINISTRATION AND ESTHETIC AWARENESS--Subjective-Objective Administration Series 8;主客体管理与审美意识——主客体管理系列论文之八
10.Its intersubjectivity, simulacrum, and virtual experience have a new theoretic character.它的审美交互主体性、像审美客体和虚拟体验审美心理都有着全新的理论特征。
11.There are physical distance and esthetic distance between the esthetic subject and the object.审美的主客体之间有物理距离和心理距离。
12.An Analysis of Subject and Object in Music Aesthetic Judgement --In Combination with the Study of the Music Aesthetic Viewpoints in Music Without Sorrow and Joy;音乐审美关系中的主体和客体分析——兼论《声无哀乐论》中的音乐审美思想
13.Aesthetic Comprehension and Aesthetic Sympathy : The Essential Parts of Aesthetic Inter-Subjectivity;审美理解与审美同情:审美主体间性的构成
14.After Losing Subject and Relations--A Review on Pro-objectivity Aesthetics by Cai Yi;失落了主体与“关系”之后——关于蔡仪客观论美学的审视
15.Acceptance Differences of Aesthetic Subject in Music Appreciation;音乐审美活动中审美主体的接受差异
16.Improve the Subject s Feeling Ability in Aesthetic Action;在审美活动中提高主体的审美感受力
17.Reconsideration on the Theory of Subject & Object in Education教育中“主体与客体之说”的重新审视
18.Aesthics authority is depriving noumenon of aesthetic confidence.美学权威正把审美信心从审美主体那里夺走。
相关短句/例句
relationships bewteen aesthetic subject and object审美主客体关系
3)Aesthetic Object审美客体
1.As the aesthetic subject,the translatorsa’esthetic understanding and judg-ment of the original—the aesthetic object—as well as the aesthetic psychological abilities on the part of the target lan-guage readers determine the aesthetic values of the translation.文学翻译首先是一种审美过程,译者作为审美主体,对原作即审美客体的理解以及对译文读者审美心理的判识,共同奠定了译文的审美价值。
2.It s affirmed that as an objective reality,the aesthetic target in phenomenology is different from the aesthetic object.运用现象学的方法,对审美对象进行阐释,认为它不仅需要具有客观存在的条件,而且必须经过主体的知觉,从而进一步确认,现象学美学中的审美对象作为客观存在的对象不同于审美客体,它是一种意向性、关系性的存在,其内涵比审美客体的内涵更丰富、更具体、更富主体性,也更适合建构新的美学体系;作为被意识到的对象的审美对象不同于一般的意识对象,它是一种需要用审美经验去感知的对象性存在。
3.Besides,it is necessary for the aesthetic object of music to achieve the unity of content and form in order to produce tremendous art attraction.此外,音乐审美客体必须做到内容与形式的统一,才能产生巨大的艺术魅力,而音乐审美客体的内心体验是“不传之道”,是使其产生艺术感染力的源泉。
4)esthetic object审美客体
5)aesthetic subject审美主体
1.The Fictitious Ego——On the solipsism of theaesthetic subject and the subjectivity of the narrative content of the Van-Guard Novel;虚伪的自我——先锋小说审美主体的唯我主义与叙事内容的主观性
2.Based on the inter-relationship between poetry and Zen, the paper holds that Yan Yu s theory on "poetry illustration from the perspective of Zen",with "awakening to truth" as the core theory,divides the aesthetic activities into two stages and is the organic unity betweenaesthetic subject and aesthetic object.本文通过回顾禅学和诗学之间的相生相倚的渊源关系,认为严羽的"以禅喻诗"说,以"妙悟"为核心理论,把审美活动按照层次分为两个阶段,是审美主体与审美本体的有机统一。
3.As theaesthetic subject,the translatorsa’esthetic understanding and judg-ment of the original—the aesthetic object—as well as the aesthetic psychological abilities on the part of the target lan-guage readers determine the aesthetic values of the translation.文学翻译首先是一种审美过程,译者作为审美主体,对原作即审美客体的理解以及对译文读者审美心理的判识,共同奠定了译文的审美价值。
6)subjective aesthetics主体审美
延伸阅读
主客体配位化合物分子式：CAS号：性质：广义的配位化合物。在主客体配位化合物中强调按被配合对象的特点来设计配体分子。将配体分子称为主体，被配合的对象称为客体。客体相当于经典配位化合物中的中心离子，但又不限于金属离子，它包括其他阳离子、阴离子、极性和非极性分子。因此，主客体配位化合物也是超分子(多个分子通过分子间作用而形成的复杂但有组织的体系)。
